tag:blogger.com,1999:blog-75197218131819193822024-03-05T22:29:25.359-08:00THE EKPHRASIS PROJECT JOOST DE JONGEPainted Poetry & Painterly PoeticsGJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.comBlogger25125tag:blogger.com,1999:blog-7519721813181919382.post-47409484208035299612023-01-19T06:00:00.001-08:002023-01-19T06:00:06.560-08:00Kamov Residency Program / City Museum of Rijeka 21/22/23-GUSTAV KLIMT inspiration for ORPHEUS series<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1imbvd_dIsPK4XgU5O1UU_V57PMkmU4s92dHBCYu-_zob24ZwkF3BvFztQP2vZ7nrSBZMYnnMOuolV4mLQglNXtkswVVZ7QOqVtcfTcslbCzWJcA98EQ8IDw5bnAvZtjMgGSpK_XTfBl8CKAYxnI_TCeVu_paHL9_-A6PdtHqVKY9iNAzar-9k_KWRw/s2917/JDJKLIMT3detail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2917" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1imbvd_dIsPK4XgU5O1UU_V57PMkmU4s92dHBCYu-_zob24ZwkF3BvFztQP2vZ7nrSBZMYnnMOuolV4mLQglNXtkswVVZ7QOqVtcfTcslbCzWJcA98EQ8IDw5bnAvZtjMgGSpK_XTfBl8CKAYxnI_TCeVu_paHL9_-A6PdtHqVKY9iNAzar-9k_KWRw/s320/JDJKLIMT3detail.jpg" width="150" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9vRjcwIDykM-7McbmRzJC9NwwmTpiLvCLfnvFu3p_QSLQpp3SweeHF-tIsk6Rg7aCjKM8lCOIvsZcxY2uGDs5tNZqaZiRaLp5GhnLgbUwO_RXD_1MYZItOiyrQ-Hqb2_6vLqZkyGGqblTgPDdkQhgPV8hr4v1VddT8DXZLQnYz1OXv_V2UlCyMY1MZA/s1280/JDJKLIMT1-1laag.tiff" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="959" data-original-width="1280" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9vRjcwIDykM-7McbmRzJC9NwwmTpiLvCLfnvFu3p_QSLQpp3SweeHF-tIsk6Rg7aCjKM8lCOIvsZcxY2uGDs5tNZqaZiRaLp5GhnLgbUwO_RXD_1MYZItOiyrQ-Hqb2_6vLqZkyGGqblTgPDdkQhgPV8hr4v1VddT8DXZLQnYz1OXv_V2UlCyMY1MZA/s320/JDJKLIMT1-1laag.tiff" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Installation with Gustav Klimt's early work (Courtesy of the City Museum of Rijeka)</div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwGpVQsbRUVAJQCnqg-FR5tVT5sexU4_kENU55n7QA4NYSSvNGB4HNmZEODAyJoatnvPsTxHQMN2NumLbBmXtwkj3mcqbJ_om67upIrIguQ81gxHjHz1I7655KHnl2Oroxt17y-zhLjYGoS1Ri_TBOT2dbAIPrU7gWbCPb4YhWzzQylip9X03HFw3gSQ/s2711/EMA15cm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2711" data-original-width="2031" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwGpVQsbRUVAJQCnqg-FR5tVT5sexU4_kENU55n7QA4NYSSvNGB4HNmZEODAyJoatnvPsTxHQMN2NumLbBmXtwkj3mcqbJ_om67upIrIguQ81gxHjHz1I7655KHnl2Oroxt17y-zhLjYGoS1Ri_TBOT2dbAIPrU7gWbCPb4YhWzzQylip9X03HFw3gSQ/s320/EMA15cm.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Ema/senior curator</div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOEetYU6Vvaa-Nb8Dv1uB0_TZ6AsZ8ghjJb17mVmkEn4jUilpal-pMDMRuy7Jtapr9QPAyrWiKBtVLmbnPmK7KUuocv_2KptOav2wEy5linFw61i7dU64NVXQOKbXF77Nr5isn003D-g06sKiUBSjhhbvZCXqlg7ckMW4_5hJALBT7xj_bI5gHS65WVA/s3051/atworkrijeka15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2657" data-original-width="3051" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOEetYU6Vvaa-Nb8Dv1uB0_TZ6AsZ8ghjJb17mVmkEn4jUilpal-pMDMRuy7Jtapr9QPAyrWiKBtVLmbnPmK7KUuocv_2KptOav2wEy5linFw61i7dU64NVXQOKbXF77Nr5isn003D-g06sKiUBSjhhbvZCXqlg7ckMW4_5hJALBT7xj_bI5gHS65WVA/s320/atworkrijeka15.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">working at the Sugar Palace/<a href="https://www.kamov-residency.org/en/artists-in-residence/joost-de-jonge" target="_blank">Kamov Residency Program</a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p>GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-30232155949337691272021-07-07T00:24:00.001-07:002021-07-07T00:24:19.939-07:00@dejongejoost instagram<p><a href="https://www.instagram.com/dejongejoost/"></a></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdIN30sbKAxXWb-YQWG499U1XNQyq3iohr-O3jESehNO7WpagaEMsf_oQUgrR-kBQOGuqfge9pMy2CJpasvVjJVvVj2n2ReQn2Iacx9DeROZNsUQ27C9jXh2Qy8ZpoecADmXGFbbXiJbKE/s2048/y%2529Joost%2540Artissima2006.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1541" data-original-width="2048" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdIN30sbKAxXWb-YQWG499U1XNQyq3iohr-O3jESehNO7WpagaEMsf_oQUgrR-kBQOGuqfge9pMy2CJpasvVjJVvVj2n2ReQn2Iacx9DeROZNsUQ27C9jXh2Qy8ZpoecADmXGFbbXiJbKE/s320/y%2529Joost%2540Artissima2006.JPG" width="320" /></a></div><br />https://www.instagram.com/dejongejoost/<p></p><p><br /></p>GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-68013410885121279732020-12-05T06:08:00.001-08:002020-12-05T06:08:30.848-08:00<p><a href="https://www.centraalmuseum.nl/nl/over-het-museum/nieuws-en-pers/kort-nieuws-en-blogs/de-kunst-van-het-voorlopige" target="_blank"> https://www.centraalmuseum.nl/nl/over-het-museum/nieuws-en-pers/kort-nieuws-en-blogs/de-kunst-van-het-voorlopige</a></p><p><br /></p><p>Eva Burgering over de huidige tentoonstelling "Voorlopig Voltooid" in het Centraal Museum, met Joost de Jonge e.a.</p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheoXtOvPdT4t17qT7jwEMbBjZAv_HpEPGPXZU-3MdONDegxTQfSftf3h6U_FDPX9pwLJMNULVWIlgULsf8rFJIUYmuogsrjUptteRLLJ14POgnq_4UhDNqj61pwJ5tVgLwxOjiQyOppv8Y/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1969" data-original-width="1776" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheoXtOvPdT4t17qT7jwEMbBjZAv_HpEPGPXZU-3MdONDegxTQfSftf3h6U_FDPX9pwLJMNULVWIlgULsf8rFJIUYmuogsrjUptteRLLJ14POgnq_4UhDNqj61pwJ5tVgLwxOjiQyOppv8Y/" width="216" /></a></div><br /><br /><p></p>GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-7008028836029193462019-07-25T09:03:00.003-07:002019-07-25T09:03:41.871-07:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8XMra7V85Gijlz3vHgbi55__-47n6zYaU2Y_EGRoRKT1Ky4fDcA0jxu6iJCEVdYqa78qXTAs1YfK1YWFzfzzNsROAfYi6J-V53ZLB3xC4bSpdM_B_-Mfjr0quH4JhMmo6Wklpbeqiey2d/s1600/fullsizeoutput_ab1.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="699" data-original-width="639" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8XMra7V85Gijlz3vHgbi55__-47n6zYaU2Y_EGRoRKT1Ky4fDcA0jxu6iJCEVdYqa78qXTAs1YfK1YWFzfzzNsROAfYi6J-V53ZLB3xC4bSpdM_B_-Mfjr0quH4JhMmo6Wklpbeqiey2d/s320/fullsizeoutput_ab1.jpeg" width="292" /></a></div>
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<a href="https://www.singulart.com/zh/artist/joost-de-jonge-5941">https://www.singulart.com/zh/artist/joost-de-jonge-5941</a><br />
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Works to look at and buy at Singulart<br />
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Archeology of Personhood series, 210 x 70 cm, acrylics and oils on Canvas.</div>
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<br />GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-29783318448650056962019-05-08T06:40:00.000-07:002019-05-08T06:40:08.145-07:00TALKINGSOUP Degas THE DANCING TRIANGLE my thoughts about Degas<a href="http://talkingsoup.com/art-and-culture/degas-the-dancing-triangle">http://talkingsoup.com/art-and-culture/degas-the-dancing-triangle</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAKKGxjRfexPSqAPXYB_Z85WKBOlMxRGdaKNrxIsSTwRW1OMtyD6eDV6Ip9WWyxcB6Up4a9biFmMKEywhGN1CoIycIFgtlP9d-4peLa3aWDr_l6b5LlkkallCF9XHyxG21Eo_R6sEQkuTQ/s1600/degascombing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="800" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAKKGxjRfexPSqAPXYB_Z85WKBOlMxRGdaKNrxIsSTwRW1OMtyD6eDV6Ip9WWyxcB6Up4a9biFmMKEywhGN1CoIycIFgtlP9d-4peLa3aWDr_l6b5LlkkallCF9XHyxG21Eo_R6sEQkuTQ/s320/degascombing.jpg" width="320" /></a></div>
Key facts<br />
ArtistHilaire-Germain-Edgar Degas<br />
Artist dates1834 - 1917<br />
Full titleCombing the Hair ('La Coiffure')<br />
Date madeabout 1896<br />
Medium and supportOil on canvas<br />
Dimensions114.3 x 146.7 cm<br />
Acquisition creditBought (Knapping Fund), 1937<br />
Inventory numberNG4865<br />
Location in GalleryRoom 43<br />
Items in the shop<br />
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Hilaire-Germain-Edgar Degas: 'Combing the Hair ('La Coiffure')'<br />
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<a href="https://www.creativeboom.com/inspiration/drawn-in-colour-degas-from-the-burrell-dances-into-the-national-gallery-this-autumn/">https://www.creativeboom.com/inspiration/drawn-in-colour-degas-from-the-burrell-dances-into-the-national-gallery-this-autumn/</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjuMzDNdtqfbjwiiUwLNgcsBwiOaiw2s3vTuC31HRW8u_gYuBW73CeyzJsAxeDZiqwqKMzDo66vuSf91W17qYXs72fexKXFCcKZclChDV-J7hbLmVmgyYLVroS9fl13EESypBWOVEkiaNB/s1600/Screen+Shot+2018-09-22+at+23.08.41.png" imageanchor="1" style="clear: left; display: inline !important; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjuMzDNdtqfbjwiiUwLNgcsBwiOaiw2s3vTuC31HRW8u_gYuBW73CeyzJsAxeDZiqwqKMzDo66vuSf91W17qYXs72fexKXFCcKZclChDV-J7hbLmVmgyYLVroS9fl13EESypBWOVEkiaNB/s320/Screen+Shot+2018-09-22+at+23.08.41.png" width="320" /></a><br />
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<span style="caret-color: rgb(178, 178, 178); color: #b2b2b2; font-family: Consolas, "Andale Mono WT", "Andale Mono", "Lucida Console", "Lucida Sans Typewriter", "DejaVu Sans Mono", "Bitstream Vera Sans Mono", "Liberation Mono", "Nimbus Mono L", Monaco, "Courier New", Courier, monospace; font-size: 13px;">Hilaire-Germain-Edgar Degas After the Bath, about 1896 Oil on canvas, 74.9 x 81.3 cm The National Gallery, London. Bequeathed by Simon Sainsbury 2006 © The National Gallery, London</span>GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-44874975972563144252019-05-06T04:17:00.001-07:002019-05-06T04:17:32.963-07:00studio moods 2019<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8JOlhyphenhyphenv1tgywvR_dEUkxZ_Zu6LsFEcLGRg87LtQ_i6iRahFMm7YWpRjydmgLNOIIhehDBr9B_5g1AAdYcOSwiJk_JtLs292aKxeIo_UA0bnSxm_BB5R-bcSfZGhtgvAM1oN9PCCRXqhz_/s1600/040401915cm200dpi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1181" data-original-width="995" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8JOlhyphenhyphenv1tgywvR_dEUkxZ_Zu6LsFEcLGRg87LtQ_i6iRahFMm7YWpRjydmgLNOIIhehDBr9B_5g1AAdYcOSwiJk_JtLs292aKxeIo_UA0bnSxm_BB5R-bcSfZGhtgvAM1oN9PCCRXqhz_/s320/040401915cm200dpi.jpg" width="269" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlPcEnuw7gRagZc2Axr79O1QXPpvYhIUYi68obak3t7xGQmXwMtkv28L9HUNMtei3s9O7tP_jNhQ6u1OjOhCHPCWsDdoGXQEiEoWKdVwYxa7ICCHHT_JR4P6gRnnEyjILVSTIti5cH5PWR/s1600/springtimeb15cm200.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1181" data-original-width="998" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlPcEnuw7gRagZc2Axr79O1QXPpvYhIUYi68obak3t7xGQmXwMtkv28L9HUNMtei3s9O7tP_jNhQ6u1OjOhCHPCWsDdoGXQEiEoWKdVwYxa7ICCHHT_JR4P6gRnnEyjILVSTIti5cH5PWR/s320/springtimeb15cm200.jpg" width="270" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHWmRTT81FgsVOWtfscWdFlK2ytIJeINAxHfWs4uPkzapqjGMr9T2qDuZZtq-av2A3YY5uBUBfL58sWl4QSuSjn_9RZyWEAKq8o-XOzHNWb4REO_FgAYctkvGzy_ZTWn-Vj9cVBkVPkZEW/s1600/studioessay019odewmorgnertake215cm150.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="886" data-original-width="774" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHWmRTT81FgsVOWtfscWdFlK2ytIJeINAxHfWs4uPkzapqjGMr9T2qDuZZtq-av2A3YY5uBUBfL58sWl4QSuSjn_9RZyWEAKq8o-XOzHNWb4REO_FgAYctkvGzy_ZTWn-Vj9cVBkVPkZEW/s320/studioessay019odewmorgnertake215cm150.jpg" width="279" /></a></div>
<br />GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-65037734320612721922019-01-18T08:25:00.002-08:002019-01-18T08:25:30.453-08:00THE POET-Juliën Holtrigter Expanded Field Journal (VU)<a href="http://expandedfieldjournal.com/2018/12/18/the-poet/">http://expandedfieldjournal.com/2018/12/18/the-poet/</a><br />
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EXPANDEDFIELDJOURNAL PUBLICATION!<br />
The Poet- photo and poem by the artist<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtwjx9bUSl3lQ03MTC9e2kmRBn79cRqcBDadNKdj3a59f2qe1SUBpq5YPmjMLlfLKYZS8CKT5o-LXyORJ2xGvKpzk5EGunHCl6U3tuhDyrfMt_Te_v8XdGwUJAAVdXh-cqyh0C_0xJRKKG/s1600/Joost.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtwjx9bUSl3lQ03MTC9e2kmRBn79cRqcBDadNKdj3a59f2qe1SUBpq5YPmjMLlfLKYZS8CKT5o-LXyORJ2xGvKpzk5EGunHCl6U3tuhDyrfMt_Te_v8XdGwUJAAVdXh-cqyh0C_0xJRKKG/s320/Joost.jpg" width="320" /></a></div>
<br />GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-80825745722945779902018-07-20T13:18:00.002-07:002018-07-20T13:18:20.459-07:00LiCHTuNDFiRE NYC PRISKA JUSCHKA ARIELLE MARK expo 175 Rivington street<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDI7nZ7zssQbZlc1ktdUB3NUGLMIBckgUnEreCL_Lpdf0dCF3sffdlhe9lro06fCT_nbn3VZBiprLVA04U6LTNVjPVUUT4xbTlI7vZ50ktaJVgagyIp-7Fojgmyh_fIL0xTP3koCd3ltND/s1600/IMG_0498.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDI7nZ7zssQbZlc1ktdUB3NUGLMIBckgUnEreCL_Lpdf0dCF3sffdlhe9lro06fCT_nbn3VZBiprLVA04U6LTNVjPVUUT4xbTlI7vZ50ktaJVgagyIp-7Fojgmyh_fIL0xTP3koCd3ltND/s320/IMG_0498.JPG" width="320" /></a></div>
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at <a href="http://www.lichtundfire.com/" target="_blank">LichtUNDFiRE</a> GAllery Priska Juschka - co- curated with <a href="http://mark-gallery.com/artist.vm?category=1&series=5490" target="_blank">Arielle Mark-Liebermann The Mark Gallery</a> JULY-AUGUST 2018GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-40796050476844086772018-05-07T06:21:00.000-07:002018-05-07T06:21:00.848-07:00David Allen Sullivan's Octopus Muse after a work by me at <a href="http://www.ekphrastic.net/the-ekphrastic-review/octopus-muse-by-david-allen-sullivan" target="_blank">The Ekphrastic Review</a><br />
a preview of Painted Poetery & Painterly Poetics; an ekphrastic notion-volume 3 "Water on Water"<br />
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<br />GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-80440760206425807852018-05-07T06:03:00.002-07:002018-05-07T06:03:50.215-07:00<div class="separator" style="clear: both; text-align: center;">
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April 2018 Movement XL sold by<a href="mailto:as@alexandersalazarfineart.com" target="_blank"> Alexander Salazar Fine Art</a> in San Diego to a private collector.<br />
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Movement XL, 120 x 180 cm, acrylics and oils on canvas, 2012.GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-45050736523876516622018-02-13T04:21:00.004-08:002018-02-13T04:21:46.564-08:00<a href="http://expandedfieldjournal.com/2017/11/19/self-portrait-digital-age/">Self-Portrait in a Digital Age / Expanded Field Journal</a><br />
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Poem and photo by Joost de Jonge<br />
<span style="background-color: white; color: #545454; font-family: arial, sans-serif; font-size: x-small;">in an Amsterdam based </span><span style="color: #6a6a6a; font-family: arial, sans-serif; font-weight: bold;">journal</span><span style="background-color: white; color: #545454; font-family: arial, sans-serif; font-size: x-small;"> of creative writing</span><br />
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<span style="background-color: white; font-family: arial, sans-serif; font-size: x-small;"><span style="color: red;"><a href="http://expandedfieldjournal.com/2017/11/19/self-portrait-digital-age/">click the link to get to the poem!</a></span></span><br />
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<span style="background-color: white; color: #545454; font-family: arial, sans-serif; font-size: x-small;"><br /></span>GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-4439058440041577342017-07-17T23:52:00.001-07:002017-07-17T23:52:59.712-07:00<h1 class="entry-title" itemprop="headline" style="box-sizing: border-box; color: #222222; font-family: Trocchi, serif; font-size: 36px; font-weight: 400; line-height: 1.2; margin: 0px 0px 16px;">
<a href="http://www.emptymirrorbooks.com/visual-art/painting-joost-de-jonge-poem-norman-dubie.html">A Third Scroll of Malachite: A Painting by Joost de Jonge and Poem by Norman Dubie</a></h1>
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at <a href="http://www.emptymirrorbooks.com/visual-art/painting-joost-de-jonge-poem-norman-dubie.html">EMPTY MIRROR</a></div>
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GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-61086844815226266732017-03-17T09:15:00.001-07:002017-03-17T09:15:22.255-07:00<a href="http://www.emptymirrorbooks.com/visual-art/icarus-paintings-joost-de-jonge.html">Icarus: Paintings by Joost de Jonge & the poem Daredevil</a><br />
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Published at <a href="http://www.emptymirrorbooks.com/visual-art/icarus-paintings-joost-de-jonge.html">EMPTY MIRROR</a><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBtcVYFuJwuFOLM_X-JjVWisCETMyw1vtcj5ff2Rp67Q6SwxVsoDOuD_mePWMU3tPdkeCZXC0vCkbC2V8S76yYSK07QBWM1XWCKVuEGWPOCCf_s6oZPIncaRwA38YPy9AxhyoOaQixeosb/s1600/IcarusA2016.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBtcVYFuJwuFOLM_X-JjVWisCETMyw1vtcj5ff2Rp67Q6SwxVsoDOuD_mePWMU3tPdkeCZXC0vCkbC2V8S76yYSK07QBWM1XWCKVuEGWPOCCf_s6oZPIncaRwA38YPy9AxhyoOaQixeosb/s320/IcarusA2016.jpg" width="231" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Icarus A, 76x56 cm, acrylics & oils on paper, 2016.</td></tr>
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<br />GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-88554859643618644062017-01-28T07:23:00.003-08:002017-01-28T07:42:03.889-08:00Golden Clouds a composition for carillon<div style="font-family: Helvetica; font-size: 12px; line-height: normal;">
<a href="https://www.youtube.com/watch?v=aySsJalkxLs">https://www.youtube.com/watch?v=aySsJalkxLs</a></div>
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Golden Clouds a composition for carillon by Mathieu Daniël Polak</div>
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inspired by & in exchange for a painting by me.</div>
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painting: 35x19 cm, acrylics & oils on panel, 2016.</div>
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GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-35755278866937430052016-11-05T07:51:00.002-07:002016-11-11T22:22:50.299-08:00THE CONVERGENCE -Painted Poetry & Painterly poetics; an ekphrastic notion part 2<br />
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<tr><td class="tr-caption" style="text-align: center;"><a href="https://issuu.com/joostdejonge/docs/193_convergence_issuu_07" style="text-align: start;">https://issuu.com/joostdejonge/docs/193_convergence_issuu_07</a></td></tr>
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"The Convergence/Painted Poetry & Painterly poetics; an ekphrastic notion part 2" is available online<br />
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<a href="https://issuu.com/joostdejonge/docs/193_convergence_issuu_07">https://issuu.com/joostdejonge/docs/193_convergence_issuu_07</a><br />
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With splendid contributions by Richard Cándida Smith (Berkeley), marvelous poetry by Norman Dubie, Dinah Berland, Juliën Holtrigter and many others. Noah Charney contributed an exceptional essay; all contributions are of great strength and are one of a kind. Last but not least, images of my recent paintings and some photo's I took of arrangements with my paintings and objects/antiques in my studio. ENJOY!<br />
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<tr><td class="tr-caption" style="text-align: center;"><a href="https://issuu.com/joostdejonge/docs/193_convergence_issuu_07" style="text-align: start;">https://issuu.com/joostdejonge/docs/193_convergence_issuu_07</a></td></tr>
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<br />GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-52176422792267100222016-10-04T10:47:00.001-07:002016-10-04T10:47:18.605-07:00My review of Botero's work at de Kunsthal in Rotterdam at: VERSOPOLIS European Review of Poetry, Books and Culture<a href="http://www.versopolis.com/panorama/223/size-does-matter">http://www.versopolis.com/panorama/223/size-does-matter</a><br />
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<br />GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-6971855402568067392016-08-16T06:43:00.005-07:002016-08-16T06:43:51.627-07:00MY REVIEW AT VERSOPOLIS:<br />
BLAZE OF COLOUR/ THE ART OF WILHELM MORGNER<br />
[AN ARTIST'S MUSING]<br />
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<br />GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-50869703497327475592016-01-14T02:43:00.005-08:002018-08-10T21:27:20.616-07:00STUDIO MOODS January 2016-2017-2018<div class="separator" style="clear: both; text-align: center;">
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GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-10461437884278429072015-12-08T13:21:00.001-08:002015-12-08T13:21:13.873-08:00INTERVIEW – Artist Gerrit Joost de Jonge: A Call and Response Art for Poets and Painters<h1 class="entry-title single-title" itemprop="headline" style="box-sizing: border-box; font-family: Raleway-Bold, sans-serif, arial; font-size: 28px; font-weight: 500; line-height: 1.333em; margin: 0px; text-rendering: optimizelegibility;">
INTERVIEW – Artist Gerrit Joost de Jonge: A Call and Response Art for Poets and Painters</h1>
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Raluca Albu interviewed me regarding my project "Painted Poetry & Painterly Poetics" !</div>
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Joy harjo joined the conversation, as well as Robert C. Morgan and quite some of the other participants as well (Prof. Dr. Oostdijk/Dinah Berland/Peter Frank/Saul Ostrow…)</div>
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<a href="http://columbiajournal.org/interview-gerrit-joost-de-jonge-call-and-response-art-for-poets-and-painters/">columbia journal interview</a></div>
GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-23643723622163234262015-11-08T14:22:00.002-08:002015-11-08T14:22:49.690-08:00<a href="http://poetry.or.at/node/1577">announcement Painted Poetry & Painterly Poetics</a><br />
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at: Art Visuals & Poetry click the link above<br />
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<br />GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-723544764407129792015-08-24T07:24:00.000-07:002015-08-24T07:24:54.168-07:00Painted Poetry & Painterly Poetics; an ekphrastic notion ebook online <a href="http://www.paintedpoetry.org/">Painted Poetry & Painterly Poetics; an ekphrastic notion</a><br />
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<span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">I really felt that my
art practice</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">in general</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">, needed </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;"> art for art's
sake. So I took </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">this urge </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">literally and asked some of the poets and writers of the English-speaking
world</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">whom I
tremendously admire</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">to join my project and to </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">write
</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;"> one poem or text </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">in
exchange of </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">one of my smaller paintings.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">I was very fortunate to have Peter Clothier,
Peter Frank, Norman Dubie, Robert Wynne & John Fuller joining in first
hand. Here </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">upon, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">Robert C. Morgan was ready to underscore my project with a text and a
recommendation! More voices joined in: Emily Bilman & Andrin Schütz from
Switzerland, Eva Bosch from Catalonia, Dinah Berland from LA, Domenico de
Chirico from Milan</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">Saul Ostrow from New York City</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">,
t</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">he enigmatic Joy Harjo from Tulsa</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">Oklahoma and</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">,
</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">closer to home</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">,
</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">my two good friends Robbie Dell'Aira & Juliën
Holtrigter and new acquaintances Diederik Oostdijk & Onno Kosters.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">As always </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">a
</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">spark drives me</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">
on</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">. The spark of inspiration seems to ignite a
force beyond my control</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;"> </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">as if I'm </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">driven forward</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">. Basically, I was driven by my conscious desire to expand my poetic and
spiritual awareness and to connect and share my work and feelings with powerful
creative </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">people</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">How this truly happens is an inexplicable
dark thing. The poetic brilliance of Norman Dubie opened up my conscious</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">ness </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">to new colors. Robert Wynne's poem gave me
the idea that</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">indeed</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">life and art show a form of symbiosis </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">in </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">inexplicable parallels of feeling and visual
expression; </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">perhaps, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">the </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">Romantic </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">Sublime in </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">its full significance</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">. John Fuller really took it to heart and repositioned
the </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">"</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">I</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">" </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">within the body of truth, feeling, life & poetry. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">Dr. Emily Bilman's </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;"> text is central to the project and is available in four different
languages.</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;"> </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">Peter Frank
& Emily Bilman deserve special mention for their guidance and editing. Joy
Harjo's poem reconnected me with my childhood experience. Robert's striking
critique elevates perception and I'm grateful to be able to share it </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">with my readers</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">I wish to thank everybody who contributed</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">in their own specific manner</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">, </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">to the rich</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">ness
</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">of my feeling and art, to the completeness of this
book, which may very well be the </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">beginning of </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;"> a new awareness of the intricate relations of
the different arts and their values</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;"> reinforced by
the </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">individuality of their voices</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;"> and </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">the mystique of the</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">ir </span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">universality</span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">
.</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">May you enjoy reading this book </span><span lang="EN-US" style="font-family: Verdana; mso-ansi-language: EN-US; mso-bidi-font-family: Verdana;">as much as you enjoy viewing</span><span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;"> my
paintings.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Helvetica; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">Joost de Jonge Vianen, the 30th of April
2015, The Netherlands.</span><span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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Prof. Dr. Robert C. Morgan</div>
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<i>inspired by six small paintings (impasto improvisation 015, 1-6) by Joost de Jonge</i></div>
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Thick milk may stir the soul<br />Or so it is said to happen. <br /><br />Like tough molecules bending toward lightness<br />with no age in particular<br /><br />Only the solemn grace of footing against a hill<br />of thieves<br />who wait to see inside<br /><br />Recumbent nerves and luminous froth come forth<br />from the sea of time<br /><br />as the colors explode. </div>
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<i>14-08-2015</i></div>
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GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-57141778521583204542015-08-02T11:02:00.001-07:002015-08-02T11:06:16.871-07:00links to my work across the net at paintedpoetry<br />
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<a href="http://poetrypainted.weebly.com/links.html">http://poetrypainted.weebly.com/links.html</a>GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-53024950803464573932014-10-15T04:15:00.001-07:002014-10-15T06:05:09.750-07:00<div class="separator" style="clear: both; text-align: center;">
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JOOST DE JONGE: THE ARCHAEOLOGY OF PERSONHOOD</div>
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By Peter Frank</div>
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"I do not say that form is the allegory or the symbol of feeling, but, rather, its innermost activity. Form activates feeling. Let us say, if you like, that art not only clothes sensibility with a form, but that art also awakens form in sensibility. And yet, no matter what position we take, it is eventually to form that we must always come. " </div>
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– Henri Focillon (trans. Charles B. Hogan and George Kubler), The Life of Forms in Art-</div>
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Joost de Jonge’s series “The Archaeology of Personhood” takes its title, and to some extent its inspiration, from the book published a decade ago (London and New York: Routledge, 2004) by Chris Fowler. In his study Fowler considers the emergence of a condition of self-aware individuality among pre-historic peoples; and, indeed, in his painting – as much as ever, but now with a more articulated self-consciousness – de Jonge advances a distinctive personality, one derived from exposure to many other distinctive personalities and carefully formulated, even hard-won, in the wake of such models. At the same time, de Jonge reverses the semantic implications of Fowler’s title: while Fowler, the scientist, looks archaeologically at how the notion of “personhood” emerged in early man, de Jonge, the artist, looks artistically at how an archaeological assessment of his own personhood is revealed – and at the same time obscured, or at least complectified – in his painterly production.</div>
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This is not to imply that there is something retrospective in de Jonge’s self-archaeological investigation. In fact, he examines less the accretion of his own modes or gestures than he does the contexts in which he has generated such modes and gestures – namely, the assertion and elaboration of form, and the extra-formal concerns that assertion and elaboration implies. De Jonge, as ever, avers that the poetry of perception he seeks to set in motion rests not in overtly described subject matter but in form itself. He gives full credence to the power of shape, a power wielded not through reference or suggestion but through presence and basic affect. </div>
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De Jonge, an artist unusually swayed by music and philosophy, relies entirely on abstract, a-referential shapes, colors, and compositions. In great part to reassert this reliance, he has added a quality – more a condition than a mere effect – to his repertory of forms and methods. Once satisfied to describe and elaborate compositions entirely upon the picture plane, he now proposes to articulate that plane by “extending” it with passages of texture. De Jonge has not changed his organic-geometric vocabulary, but has enlivened it with emphatically contrasting passages in which his normal bright, flat hues give way to knots and clusters of agitated brushstroke and mixed and muddied color. “Most important to me now is the gestural,” de Jonge has noted, “how that relates to an expression of movement, of presence of a human as such, the organic quality of the paint, the purity of the material.” With seemingly incongruous, unclear moments of vigorous brushwork within each otherwise “lucid” painting, de Jonge thus returns the physical factors of pigment and human hand to an otherwise inert, implicitly dematerialized painterly practice. </div>
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Given de Jonge’s spiritual leanings, these rough passages among smooth re-introduce the physical, even profane, into a rarefied realm of contemplation. This dichotomy of sensibility characterizes the tradition of northern European art, especially modernism , which de Jonge has always considered his heritage, tying him to expressionism and geometricism at once, and especially to those (notably Dutch) artists who would find the sacred in the profane and vice versa. The examples of painters as diverse as Theo van Doesburg and Karel Appel (to name two prominent modernists) or Jacob Bendien and Janus de Winter (to name two more obscure ones) have served as ideological and spiritual touchstones for de Jonge in this evolution. He frequents collections such as the Kröller-Müller Museum’s, the Haags Gemeentemuseum’s, and the Kunstsammlung Nordrhein-Westfalen’s in search of more than purely pictorial inspiration. Indeed, you could call these museums, and others, the cathedrals for his worship. But in the period of transition and clarification that has led to and now feeds the “Archaeology of Personhood” series, these temples of art have been a particular redoubt for the painter, providing not just reassurance but renewal.</div>
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With the “Archaeology of Personhood” paintings Joost de Jonge’s neo-modernist adventure has taken a turn that reifies many of the principles and practices of modernist art and counters many others. The “purity” so much modernist thought and practice sought has been abandoned for a more complex goal, one of elevated reality – a reality removed from the mundane by abstraction but kept “real” through physical and visual variation, pointed dissonance within the harmonization of color and form. Just as personhood comprises complexity and contradiction, so, in de Jonge’s hands, does its archaeology. </div>
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Los Angeles<span class="Apple-tab-span" style="white-space: pre;"> </span>April-May 2014</div>
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<br />GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-71227896610281372772014-10-02T06:37:00.003-07:002014-10-02T06:37:47.180-07:00<br />
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An ARTWORLD update: video by Juri Koll: Joost de Jonge: A Life of Art</div>
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<a href="https://www.youtube.com/watch?v=HS687YvhEtk">https://www.youtube.com/watch?v=HS687YvhEtk</a></div>
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Especially Peter Frank's talk about me is solid! </div>
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Best regards, Joost de Jonge.</div>
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GJDEJONGEhttp://www.blogger.com/profile/14256872742798388518noreply@blogger.com0tag:blogger.com,1999:blog-7519721813181919382.post-89798543549167440272010-09-15T07:00:00.000-07:002013-12-29T06:18:04.955-08:00EKPHRASIS<div class="separator" style="clear: both; text-align: center;">
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The Ekphrasis Project is initiated by Joost de Jonge & consists out of his paintings and drawings and texts by a.o. Penguin Poet Robert Morgan, Peter Clothier, Peter Frank, Dominique Nahas, Robbie Dell'Aira and himself. All is greatly inspired by interactions with the aforementioned art historians, especially Peter Frank. Of course there are also several showings planned and there are many more in the making. Showings will be announced, for further information contact the artist via his website by clicking one of the scribbles.<br />
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The works concern the longing for the establishment of a pure "Kunstwollen" as described by Riegl and elaborated on by Worringer. Also here, in this light, we find the purposeness of art as described by Hegel. It has been the artist's personal experience and still is very much so, that this "Kunstwollen" lives within him as a pure and autonomous artistic agent. It is the true autonomous force of live that directs his art practice.<br />
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Ekphrasis is here to be understood by it's most recent definition, meaning the transition of essentials of composition from one art to the other. Within the work of Dutch artist Joost de Jonge, transitions of musical and poetical concepts of compositition will be key.<br />
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A catalogue of 256 pages with more texts and poems by Joost de Jonge, Peter Frank & Robbie Dell'Aira, with 128 full colour images will be published by February 2011. For more information contact the Publisher Optima, The artist or one of his galleries.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjur3zVqVKDaE5aPWU6w9qHyM913IFRD3FrGORM04ppKhbsIb8G15qd18205v3eoSgEboKNHaNwOQMhJo7HbbnixIktvpRPYvPb4iJdML4OfPWVoAXuxI5v5Ab898QOzmF1NSRAaW09rIq0/s1600/theEKPHRASIS.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjur3zVqVKDaE5aPWU6w9qHyM913IFRD3FrGORM04ppKhbsIb8G15qd18205v3eoSgEboKNHaNwOQMhJo7HbbnixIktvpRPYvPb4iJdML4OfPWVoAXuxI5v5Ab898QOzmF1NSRAaW09rIq0/s320/theEKPHRASIS.JPG" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joost de Jonge-The Ekphrasis-acrylics and oils on canvas-51x71 inch.</td></tr>
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"A theme in the formal, abstract art is not the form as it presents itself visually, but a pure abstract notion of a form, which can thus be repeated in several forms; different variations, in which the sequence of forms is not to be interpreted as a variation on each-other, from one form to the other, but as variations on an underlying concept,<br />
a concept as an artistic form of feeling which rests within the artist."<br />
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Joost de Jonge 2010<br />
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